Darshanavṛṇiya (Darshanavarnīya) karm-sthiti, abadhākāl and uday are concepts from Jain karma-darśan (karmic philosophy) that describe how karmic particles bind to the soul, the time windows during which they cannot move, and the moment they begin to manifest as results.

• Darśnavṛṇiya karm-sthiti (bonding/standing of karma): This refers to the specific state or form in which karmic particles attach to the soul, influencing its experiences. Each type of karma has its own characteristic effect on the soul’s present and future.

• Abadhākāl: This is the time period or window during which certain karmas are blocked from maturing or from affecting the soul, due to spiritual discipline, penance, or the balance of other karmas. It is like a temporary pause or delay in the fruition of that karma.

• Uday: This means the arising or manifestation of karmic results. When a karma ripens, its effects “rise” (uday) as experiences, senses, or situations in the life of the jiva.

3D visualization ideas (how you could represent these concepts in a 3D image)

• Central soul: Place a luminous, transparent sphere in the center to represent the jiva (self).
• Karma particles: Use small colored or semi-transparent spheres or grains that attach to the outer surface of the soul. Different colors can denote different karmas (deval, agami, pixcha, nāshr, etc.), with intuitive icons or symbols on each particle to indicate its type and fruit.
• Stage (sthiti): Show layers or rings around the soul representing stages of bondage. As karmas bind, more layers form; when they mature (uday), the corresponding particles glow or detach.
• Abadhākāl: Depict a shaded or paused interval—perhaps a translucent hourglass or a paused wave—between the bondage layers and the fruition layer, indicating a blocked or delayed ripening.
• Uday (arising of karma): Use a rising motion from the outermost karmic layer toward the inner self, with particles accelerating inward or lights pulsing as they begin to influence the soul.
• Temporal flow: Use a subtle timeline arc around the scene to imply past bondage, present processing, and future fruition, helping viewers grasp the sequential nature of karma.

Important note

• If you plan to present these concepts for teaching or devotional purposes, keep the visuals simple and respectful, focusing on clarity of how karma binds, pauses, and ripens, rather than on sensational imagery.

If you want, I can help you draft a concise caption or a step-by-step storyboard for such a 3D model.