Here’s a concise guide to some of the well-known women who are widely discussed in Jain traditions, along with how they are regarded in different Jain lines. Note that names and roles can vary between Digambar and Śvetāmbar traditions, so I’ve indicated that where relevant.

• Trishala Devi (Trishala Mata)

- Role: Mahavira’s mother. Revered for her supportive, wise presence in Mahavira’s early life and for the moral qualities she exemplified in the stories surrounding his birth. - Tradition differences: Widely honored in both major traditions, with emphasis on her devotion and influence in supporting Mahavira’s path.

• Mallinath (Mallinathā Mātā) — female Tirthankara (Digambara view)

- Role: Considered the 19th Tirthankara in many Digambara texts, and thus a central exemplar of spiritual awakening for women and men. - Tradition differences: Śvetāmbara sources do not count Mallinath as a Tirthankara in the same way; the status and narrative around Mallinath vary between lineages.

• Other respected women ascetics and patrons (general themes)

- A common Jain tradition across both major sects honors exemplary virtuous women who supported Jainism as lay patrons, nuns (monas), or householder followers. Their stories highlight devotion, renunciation, charity, and steadfastness in following the path of non-violence and truth. - While specific names may appear differently in Digambara vs. Śvetāmbara literature, the overarching lessons emphasize moral courage, compassion for all beings, and steadfast practice.

Important notes

• Jain texts often present women as ideal disciples, patrons, or renunciants who contribute to the flourishing of the Jain community. However, the exact lists of “important women” and their titles can differ between Digambara and Śvetāmbara canons and medieval hagiographies.
• If you want precise names, stories, and their exact roles, I can provide a focused list drawn from canonical literature (with clear notes on which tradition cites each figure). I can also point you to authentic Jain sources that discuss these figures in context.

Would you like a tradition-by-tradition breakdown with specific figures and short summaries from Digambara and Śvetāmbara texts?