Śvetāmbara Mūrtipūjak vidhi (Pooja vidhi) generally follows a fixed sequence, with small local variations (gaccha/maryādā) at temples. The exact term “podasham” isn’t a standard Jain ritual name in the Śvetāmbara tradition, so I’ll give a simple, traditional Śvetāmbara puja outline that many temples follow, which you can adapt to your local paddhati.

• Preparation

- Bathe, wear clean white clothes, no leather. - Sit in a calm, humble mood; perform a short vow (panchang pranam or similar) before starting.

• Entering the derāśar/temple

- Three Nissihis (renunciations) at the outer door, inside the mandir, and near the vedi. - Pradakshina (circumambulation) around the vedi, with joined hands. - Darśan and pranām (gāthikā or pañchāṅg/āsṭāṅg praṇām as per local practice).

• Chaityavandan (the main avashyak sequence)

- Sit steadily (padmāsan/ardha‑padmāsan or straight) with a calm mind. - Navkar Mantra (recite with focus; often 9 times or as prescribed locally). - Chauvisattho (Chaturvimsati-stava) and other stavanā verses as per tradition. - Vandana to the Panch-Parameshthi; if holy mendicants (sadhu–sadhvi) are present, offer them respectful vandan; otherwise keep the reverence inward. - Avasthā-chintan (contemplate the three avasthās of the Tirthankar).

• Additional elements (as per local practice)

- Abhishek, dhup, deepak, jal, chandan, pushpa, naivedya, phal, akshat, etc., offered with bhav and short stutis. - Samayik, deshātyāg, and other vrata‑related practices may be included if you observe them.

• Concluding

- Pranidhāna (remembrance and vow to remain devoted). - Tidy up the space, thank the divine presence, and depart with a calm mind.

Notes

• Śvetāmbara and Digambar traditions differ in some mantras, postures, and exact sequences. The above outlines a typical Śvetāmbara Mūrtipūjak approach; your temple may have slight local custom.
• If your question targets a very specific sub-ritual (e.g., a particular form of Chaityavandan or a unique “podasham” rite in a given gaccha), temples or local sadhus can provide the exact paddhati used in that place.

You can read more about Śvetāmbara chaityavandan vidhi here:

• Śvetāmbara chaityavandan vidhi (Shwetambar Murtipujak)
• Chaityavandan vidhi for pooja (Shwetambar outline)
• Please-write chaityavandan vidhi (Shwetambar)

If you meant a different term or a specific paddhati by “podasham,” please share the exact name or temple/gaccha, and I’ll align the answer to that tradition.