Here is a concise Jain-centric view of Hanuman, based on Jain scriptures and later Jain retellings.

• Who Hanuman is in Jainism

- In Jain literature, Hanuman is not a Hindu monkey god. He is treated as a heroic, highly virtuous figure—often described as a Balabhadra (a powerful, virtuous warrior) or as a Vidyadhara (a supernatural being in some versions). He is depicted as a human-like figure who embodies discipline, courage, duty, and ultimately spiritual renunciation. The emphasis is on ethical action, self-control, and the path toward moksha, rather than divine miracles. There are Jain narratives that place him in the Ramayana framework but recast the characters in Jain terms (e.g., Rama as a pious Jaina). ( en.wikipedia.org)

• Principal textual sources in Jain tradition

- Paumachariya (Padmacharitra) by Vimalasuri: Jain retelling of the Ramayana where Hanuman is presented as a noble warrior, son of Pavangati (wind deity) and Anjana, who later embraces Jain-like renunciation. This version is one of the clearest Jain imaginaries of Hanuman as a humanly virtuous figure rather than an incarnation of a god. ( en.wikipedia.org) - Uttarapurana (by Gunabhadra) and Anjana-Pavananjaya (and related Jaina Ramayana materials): Later Jain narratives that reaffirm Hanuman’s role within a Jain ethical frame, including themes of dharma, restraint, and eventual renunciation. These texts reinforce the portrayal of Hanuman as a decisively virtuous Balabhadra and model of righteous leadership allied to Jain ideals. ( en.wikipedia.org)

• Core Jain themes associated with Hanuman

- Ethics over miracles: Hanuman’s strength and leadership are framed as expressions of self-discipline, justice, and restraint rather than worship of power. He is shown using strength to uphold dharma and protect the weak, while avoiding unnecessary violence. - Celibacy and self-control: In Jain retellings, Hanuman’s life emphasizes brahmacharya (celibacy) and inner detachment as part of his path toward higher spiritual realization. This aligns with the Jain view that self-control reduces karmic bondage and supports ultimate liberation. - Ascetic progression and moksha: The Jain arc for Hanuman often culminates in renunciation of worldly life and pursuit of liberation, consistent with Jain ideals that true greatness lies in spiritual progress and kevalJnana (omniscience) leading to moksha. - Non-animal depictions: In Jain art and narrative, Hanuman is depicted as a fully human hero, underscoring Jain principles that spiritual desirability and ethical perfection are not tied to animal forms or divine miracles.

• Differences between Digambar and Shvetambar traditions

- In general Jain portrayals, Hanuman is treated as a Balabhadra in the Ramayana framework and is placed within a Jain ethical and ascetic arc. The broad outline (heroic, virtuous, ultimately renouncing the world) is common, but exact details about lineage, birth, or miraculous abilities may vary slightly between Digambar and Shvetambar tellings. The emphasis remains on ethical leadership, restraint, and renunciation rather than divine incarnation or miracle power.

• What to read if you want to study this further (Jain sources)

- Paumachariya (Padmacharitra) by Vimalasuri – the core Jain Ramayana narrative that frames Hanuman as a principled, ascetic warrior. - Uttarapurana by Gunabhadra and related Anjana-Pavananjaya narratives – later Jain elaborations that reinforce the righteous-king/ascetic arc for Hanuman. - Look for Jain art and commentaries that present Hanuman in a human, dharma-bound role rather than as a deity.

If you’d like, I can help narrow this to specific verses or sections from the Paumachariya or Uttarapurana and give short artha (meaning) statements for each relevant passage.