Here is a simple Tristutik (Śvetāmbara Mūrtipūjak, Rajendrasūri–revived paramparā) Pratikraman-vidhi. In this tradition the sequence follows the six Avashyak (essentials). Melodies/tunes may vary locally, but the sutras and intent remain the same.

Daily Tristutik Pratikraman (Devāsī/Rāisi)

• Preparations

- Clean place, white clothes, sit facing north/east. - Inner resolve: do pratikraman with forgiveness, non‑violence, and truthfulness.

• Mangalik and Navkār

- Bow mentally to Arihant, Siddha, Āchārya, Upādhyāy, Sādhu; recite Namokār Mantra 3 times.

• Samāyik (enter equanimity)

- Take Samāyik vow (Ichchāmi samāiyaṁ/ichchāmi khamāsamaṇo as per your text). - Sit steady, cultivate sama-bhāva toward all jīvas.

• Chauvīsath (Chauvisantho)

- Remember the 24 Tīrthaṅkaras and their virtues.

• Vandana (to Guru)

- Offer reverence to sādhus-sādhvīs; perform guru-vandana as per local maryādā.

• Pratikraman proper (introspection and repentance)

- Iriyāvahiyā-sutra (repent faults done while moving/acting). - Tassa-uttari-karane/Annattha sutra (seek general forgiveness). - Khamemi savve jīvā / Savve jīvā khamamtu me (mutual forgiveness). - Alochanā (confession of specific atichār; speak softly, truthfully). - Pratikraman-sutra passages reflecting on 12 vows (anuvrat, guṇavrat, śikṣāvrat) and their transgressions.

• Kāyotsarga (standing meditation)

- Logassa (Pradakṣiṇa of 24 Tīrthaṅkaras through stuti) followed by quiet kāyotsarga. - Remain motionless, focus on the soul’s purity.

• Pratyākhyān (resolve)

- Take a firm, practical resolve to avoid earlier faults; limitations as per your capacity.

• Kṣamāpanā (seeking forgiveness)

- Michchhāmi Dukkaḍaṁ/Tassa Michchhāmi Dukkaḍaṁ with genuine remorse.

• Mangal/Conclusion

- Auspicious verses and universal well‑being (śānti/mangal pāṭh). End Samāyik and bow.

Notes specific to Tristutik paramparā

• The “Tri‑stutik” identity is historical within the Śvetāmbara Mūrtipūjak fold; the daily Pratikraman content remains the standard six‑Avashyak structure. Some local sanghs sing select stavans (e.g., Navkār-stavan, Logassa tune) per Rajendrasūri‑maryādā; keep the core sutras unchanged and intention pure.
• Morning (Rāisi) reviews the night; Evening (Devāsī) reviews the day. Fortnightly (Pakṣik), Chaturmāsī, and annual (Saṁvatsarī) follow the same order, with longer kāyotsarga and added passages.

If you need a ready outline or timing guidance, see:

• How to perform Pratikraman (simple steps)
• Evening Pratikraman timing (Devāsī)

Difference note (Śvetāmbara vs. Digambara)

• Digambara Pratikraman shares the same spirit (six essentials) but uses some different sutrapāṭha and phrasing. If you follow Digambara texts, use their specific Alocanā/Pratikraman sutras and maryādā. A concise Digambara vidhi is here:

Essence to preserve

• Do it with apramatta (alertness), honesty in alochanā, real inner kṣamā, and a doable pratyākhyān. The purity of bhāva is more important than speed or musical style.